2023
Cool white / warm white neon
3” x 23”
2020
White neon, prismatic refraction
2.5” x 13.5” x 1”
2017
Red neon
4.5” x 65”
One of two neon pieces placed above the formal entrance and exit to the Center for Contemporary Arts Santa Fe gallery. Together they refer to both the physics of, and the relationship between, time and space.
2017
Yellow neon
4.5” x 65”
One of two neon pieces placed above the formal entrance and exit to the Center for Contemporary Arts Santa Fe gallery. Together they refer to both the physics of, and the relationship between, time and space.
2017
Red Neon
4.5” x 65”
2018
White, yellow, pink neon; broken deviation
24” x 26” variable
2008
Cobalt neon
5’ x 6’
2008
Ivory neon and chartreuse shadow
14” x 40”
2008
Pink and blue neon
8” x 72”
2007
Light projection via random-generated Gobo
“Coit once again sneaks up on the unsuspecting viewer…she interrupts the viewer’s museum experience with both declarative and interrogative commentary on her ubication. A series of statements and questions…is silently articulated, generating sentences that can be understood both practically and existentially, superficially or profoundly, asking us to locate our geographical (and even moral) compass beyond the walls of a museum or gallery.” - Jennie Hirsh, from “Before and After Language: The Art of Madelin Coit”
2023
Cool white / warm white neon
3” x 23”
2020
White neon, prismatic refraction
2.5” x 13.5” x 1”
2017
Red neon
4.5” x 65”
One of two neon pieces placed above the formal entrance and exit to the Center for Contemporary Arts Santa Fe gallery. Together they refer to both the physics of, and the relationship between, time and space.
2017
Yellow neon
4.5” x 65”
One of two neon pieces placed above the formal entrance and exit to the Center for Contemporary Arts Santa Fe gallery. Together they refer to both the physics of, and the relationship between, time and space.
2017
Red Neon
4.5” x 65”
2018
White, yellow, pink neon; broken deviation
24” x 26” variable
2008
Cobalt neon
5’ x 6’
2008
Ivory neon and chartreuse shadow
14” x 40”
2008
Pink and blue neon
8” x 72”
2007
Light projection via random-generated Gobo
“Coit once again sneaks up on the unsuspecting viewer…she interrupts the viewer’s museum experience with both declarative and interrogative commentary on her ubication. A series of statements and questions…is silently articulated, generating sentences that can be understood both practically and existentially, superficially or profoundly, asking us to locate our geographical (and even moral) compass beyond the walls of a museum or gallery.” - Jennie Hirsh, from “Before and After Language: The Art of Madelin Coit”